LIVES AND WORKS
LIVES AND WORKS
DATE OF BIRTH
Born in Naples on March 5, 1968 since he was a teenager, he shows a passion for drawing and painting and artistic curiosity also with the experimentation of other techniques such as watercolor, airbrush, and modeling. He carried out technical studies and still works in an architectural firm in a professional association in Milan.
A pupil for a short period of the artist Tina Jacobs, he attended the Rosetum artistic group and participated in courses and some group exhibitions at the Velasquez gallery in Milan.
Introspective study and analysis of emotional dynamics proves necessary to understand oneself in relation to the outside world.
In the manifestation of the expressive art form and in the works, there is a sense of unease, manifested in the attempt to exorcise unresolved moods or inadequacy. In a first phase characterized by a rather discontinuous activity, a recurring sense of loneliness and bewilderment emerges and an attempt to focus on the artistic and personal path emerges.
A subsequent phase reveals a different maturation and a renewed creative drive with greater determination and motivation in the study of the works and the realization of the works.
A different use of the media used with the choice of acrylics and enamels instead of oil, and the different use of colors, now more vivid and more clearly defined, denote a continuity in the research path and an active presence of the thought of artist.
The study of man is deepened, with awareness and introspective research, investigating critical aspects and at the same time highlighting attempts at response and solution, with the aim of grasping the well-being of the soul and identifying beauty and art in the work of man.
The canvas is integrated with papers, glues, metal cables, ropes, gold leaf, and wooden strips.
Expressive freedom emerges in a new geometry of shapes combined with letters and numbers.
The choice of different materials and the three-dimensionality sought also with the cutting and decomposition of the canvas to look beyond the physical dimension of the support, is adopted in order to provide symbolic and at the same time immediate and communicative keys of interpretation: metal cables to represent strength , direction, limit, energy constraint, life, flow; rope for matter, manifestation, construction, industriousness, work, creation, physicality; wood for technique, construction, thought, material manifestation of the abstract concept of drawing, line stroke, and papers for material manifestations.
The research work is also in progress with experimentation of sculptural forms and objects combined with design such as lighting bodies and modeling of metal meshes.
Themes: introspective research, study of man, of causes, of manifestation and of what is perceptible beyond matter and beyond reason, search for the origin of things and events,
Subject: figurative, abstract
WHO I AM
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