Nogol Mazloumi (b. 1988, Tehran, Iran) field of working is mostly drawing, however for her last solo show she experienced new media such as video. She has a way of mixing different media on the paper to create many layers but her...
Read MoreNogol Mazloumi (b. 1988, Tehran, Iran) field of working is mostly drawing, however for her last solo show she experienced new media such as video. She has a way of mixing different media on the paper to create many layers but her particular tool is the tiny head of a Rapidograph and pencil with which she puts together so many different textures and of course her patience and perseverance. Mazloumi main concern is human body and the reflections and perceptions of it in real world, though for presenting this Idea she makes a grotesque world with a touch of humor, especially in her second series the irony became bolder. Deformed bodies and misshaped creatures seemly floating in an indeterminate space representing her notion and concept of her idea about body. her latest project was about body and power. In this series she concentrated on politicians’ bodies. Although this concept became wider and the relation between politicians and their role in political arena are included with a little bit taste of irony.
Nogol Mazloumi has an associated degree in animation. As a professional artist her career kindled after her group exhibition in 2013. Her professional resume consists of three solo exhibitions in Iran. The first one was "One thousand, three hundred sixty hours and twenty-one minutes”, Aaran Art Gallery, the second one was "Heroes, the Gallants, the Famous", Aaran Projects and the last one was “Harsh Reality or What we do not speak of” in Bavan Gallery. Also she’s had several group exhibitions in Iran and around the world, like “Fearless: the Next Wave of Artists from Iran”, Curated by Fereydon Ave, Total Arts at Courtyard, Dubai and “Iranian Artists, Under 30”, Borås Museum of Modern Art, Borås, Sweden.
