as an synaesthetic character, composer and artist, I transfer music to picture in my “sound images”. I have been working for several years with the phenomenon of Grapheme → color synesthesia, and Synesthesia. This phenomenon is encountered particularly in my own...
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as an synaesthetic character, composer and artist, I transfer music to picture in my “sound images”. I have been working for several years with the phenomenon of Grapheme → color synesthesia, and Synesthesia. This phenomenon is encountered particularly in my own compositions. In my timbres, sound colors and color sounds go hand in hand. My works are created in several layers. When listening to music, I constantly creates new color visions, which give a quintessentially picture only in the time sequence during the painting process. Not only the instruments themselves but also the characters of the tone sound decisive for implementing the sound in color.
Education:
State examination: art studies, Munique LMU graduation 2011
State examination: study of Mathematics, Munique LMU, graduation 2011
Master in Musicology, Munich LMU, graduation 2006
Exhibitions in 2018
2018 Klangbilder, Galerie Kirstin Köllner,Memmingen (solo)
2018 Artfair Genua (Marco A. Patrizio), Italy
2018 ARTMUC, Artfair, Munich
2018 Artfair Vicenza (Marco A. Patrizio), Italy
2018 Kunstsommer, Bernried
2018 Ausstellung/Konzert "Farbenhören"Gemeindehaus, Landsberg am Lech (solo)
2018 Klangbilder, Marstall, Berg (solo)
2018 "Klangfarbe", Gast-Ausstellerin Schlossberghalle, Starnberg
2018 Klangbilder, Säulenhalle, Landsberg (solo)
exemplary to the synaesthetic artwork:HEART
is a synaesthetic painting combining music with arts.The basic musical tone determines the background coulour upon whichnotes seem to rain on canvas transforming harmonic timbres into colour tones. In music, each instrument has its own specific colorature which will then be made visible as its respective coulour perceived by sensiblebrush strokes, bringing the core melody passionately out. Initial tones get overlappedwith refrains and repetitions whereas final tones fade away. So that finally the main melody
builds a unique form, in a format and formation, ending in a vexed image which seems to switchfrom heart into a rose, and back.