Daniel Laskarin (he/him) is an artist and professor at the Department of Visual Arts at the University of Victoria. He entered artmaking from a background as a helicopter pilot/engineer in the mountains of British Columbia and the Yukon, where translating...
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Daniel Laskarin
(he/him) is an artist and professor at the Department of Visual Arts
at the University of Victoria. He entered artmaking from a
background as a helicopter pilot/engineer in the mountains of British
Columbia and the Yukon, where translating navigation maps into
physical flight led to sculptural and multimedia works that
investigate the structure of perception mapped as consciousness
within everyday life. His practice manifests restless contemplation
of our experiences of self and of objects as other bodies, other
selves. With interest in ways that art may give sensory experience to
thought, his work offers a bridge between substance and ineffability.
Since completing
his MFA at UCLA in 1991 his art practice has been object based,
materially and conceptually rooted. Driven
by doubt and curiosity, it
has included sculpture, photography, optics, robotics systems,
installation, sound and projection works, set design, and large-scale
public commissions in Vancouver, Seattle, and Richmond BC. Recently,
he has extended his sculptural practice to pair photogrammetry
generated images of abandoned sites with constructed objects in works
that pursue the possibility for reclamation within conditions of
collapse, decay or ruin.
Laskarin's work is
part of several national and international public and private
collections and he has exhibited work in North and South Americas,
Europe and Africa. For
the past six years he has organized
a project called "Sunday Afternoon," a zero-budge
series
of 4-hour exhibitions of works by emerging and established local and
international artists held over the summers a to offer a casual
experience of contemporary art in a public site outside of
institutional conditions.