LIVES AND WORKS
LIVES AND WORKS
I was kidnapped in 1981. https://de.wikipedia.org/wiki/Entf%C3%BChrungsfall_Johannes_Erlemann
1989 to 1995
Journalism school // Training as a cameraman // Training as an editor on linear editing systems (in the course of this I trained myself in large editing studios, planned editing studios and the design of television studios)
Client during this time: ARD, ZDF, RTL, SAT1, NBC Super Channel and numerous commissioned works for companies, as well as various parties of the German Bundestag.
Increasingly advertising film productions.
1995 to 1998
Foundation of EK TV film productions
1998 to 2001
Takeover by MARKENFILM, Hamburg, the most important production of high-quality advertising films in Europe.
Initially with power of attorney, later as managing director of the Corporate Images department.
2001 to 2003
Takeover by RADICAL IMAGES, Cologne
2003 to 20012
Foundation of TIGAVISION GmbH and NEW MEDIA MANAGEMENT GmbH
Production of advertising films and advertising photography.
Foundation of various internet portals. U.A. NEU.DE, WEG.DE, MP3.DE, PKW.DE & more.
Foundation of TOMAHAWK BRANDED ENTERTAINMENT GmbH.
Advertising agency and agency for the marketing of TV broadcast times.
During the period of commercial film productions, my work has received numerous awards.
Amongst other things:
NEW YORK FILM FESTIVAL: WORLD MEDAL, GOLD, SILVER and BRONZE (all multiple).
FEDERAL FILM PRIZE, CORPORATE MEDIA AWARD.
I have been working on a CINEMA FILM since 2016. In this autobiographical story, the FATE OF MY CHILDHOOD is filmed.
I was kidnapped at the age of 11. To this day, this event is one of the most spectacular cases in German post-war history.
Production is carried out by CONSTRUCTION FILM, Veronica Ferres' film production company.
I've been taking photos for 20 years. The most important element for me is the perspective in connection with the picture division. In doing so, I always try to show special, but perhaps also ordinary moments that you cannot initially see with the naked eye, but are nevertheless omnipresent.
Sometimes the motifs fly to you. And sometimes you have to go to great lengths to implement the right perspective.
WHO I AM
If I didn't do it I wouldn't know how it would have been.
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