Born in Caracas, Venezuela, in 1977, she lives and works in Bari, the city where she began her studies at the Institute of Art Pino Pascali. She later earned her bachelor’s degree in Scenography from the Academy of Fine Arts...
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Born in Caracas, Venezuela, in 1977, she lives and works in Bari, the city
where she began her studies at the Institute of Art Pino Pascali. She later earned her
bachelor’s degree in Scenography from the Academy of Fine Arts in 2005.
From 2010 to 2015, she was involved in the artistic direction of the histori-
cal reenactment of the Bari Grand Prix for old cars, becoming its reference
photojournalist with subsequent publications in magazines such as ‘La Ma-
novella’ and ‘Auto d’Epoca’. In 2024 she is finalist at Combat Prize. In 2023, she is finalist for sulpture-installation at
Arte Laguna Prize XVII and Arteam Cup Prize, and she is artist-in-residence
for the international Vis à Vis program, Fuoriluogo 26. She received the ‘Best
Conceptual Work’ mention in the second edition of the Sparti Prize. In 2022, she
won the Arte Prize in the painting category. In 2021, she participated in the Ramo
6.0 workshop/residency curated by Giuliana Benassi with artist tutor Francesco
Arena. In 2020, she won the Acquisition Prize at Malamegi, LAB17. In 2019, she was
among the selected artists for Pop Now, New Identities in Apulian Art curated by
Michela Laporta. She also attended a workshop on alternative photographic develop-
ment processes with artist Hanna Fletcher at the Bright Room in London. In 2017, she
participated in the Artists’ Manual curated by Ivan Quaroni in Milan. In 2021, is co-foun-
ded the OMAR project and conceived the Home Theatre - Open Studio project.
Statement:
My practice shows the result of a continuous recording of clues left by my hybridizations. Currently, part of my research achieves a sensitive synthesis through the dusting technique (spolvero), in which I translate the appearance of things, no longer confined in a linear time but rather in a discontinuous space-time domain, made just of information and where the images lose narrative tension, fragmenting into points, perhaps it is a pixel. The physical object, exploded in to pieces, is now scattered like dust on the surface and in its place, there is only exist the micro-trace, evocative of a poetic fragment.
