Through feelings, evoked by playful visuals and objects such as insects, I deal with dark and serious social topics in my fine art and motion graphic works. For someone who cares and is cautious about what others are thinking, it...
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Through feelings, evoked by playful visuals
and objects such as insects, I deal with dark and serious social topics in my
fine art and motion graphic works. For someone who cares and is cautious about
what others are thinking, it is hard to distinguish myself from what I want and
from what others want from me. Am I influenced by my surroundings much more
easily than I imagined? Is it all right to be making “art for art sake” with no
guaranteed outcome of money, status, or affirmation? These thoughts often wrap
my wings and tie me down like an insect in a spider’s web. However, this fear
is not real. I forget that my fear is self-created.
One day, after killing a cockroach, I
looked closely at its wings. It was strange to think that a cockroach has
wings. Why didn’t it use them? Why did it have to live its life in darkness on
the floor when it could easily fly? Was its existence driven by fear? Wrapping
its wings with fear, it no longer could fly. It was hiding away from its
surroundings and people, lost in its own world. This reminded me of myself. I
was not so different in being limited by fear. This event was an opportunity
for me to be an artist for “my own sake.”
I use digital means to make my motion
graphic works, however I’ve never seen a digital image that can express feeling
from random and uneven texture like a real painting. As a result, I prefer to
adapt hand-painted traditional images manipulated in the digital editing
process, along with animated characters, and frame-by-frame animation
techniques. As a cockroach myself, I too
realized that the burden on my back is not a burden, but wings. Now, I just
have to start flapping my wings and fly into the light.