Initially trained in wrought iron work, bronze foundry, ornamental wood carving and history of styles, I then joined Lyon’s Superior School of Applied Arts to study environment design and history of art. Visual art has become my main practice since I...
Read MoreInitially trained in wrought iron work, bronze foundry, ornamental wood carving and history of styles, I then joined Lyon’s Superior School of Applied Arts to study environment design and history of art.
Visual art has become my main practice since I left France in 2008. I lived and worked in Ecuador, Uruguay, Canada and I am now established in Bangkok, Thailand.
I experimented with sculptures and installations over the years. More recently I have started to work with objects I collect from my surroundings, revisiting traditional analogic photography techniques.
My installations and collages seek to present dissonant relationships, featuring hybrid elements where different shapes, materials and substances mingle and inherently conflict.
In my latest works, I reflect on our societies, which are overflowing with icons and representations of the human figure. Initially reserved for the divine, these representations have gradually drifted, passing from the nobles to the bourgeois to land in the hands of everyone who, through technological advances, can become an artist for a day or a witness to the mundane. In my practice, I document everyday life, where everyone becomes the center of their own narrative, the center of a narcissistic cosmology.
I am mostly interested in the human way of looking at reality and our desire to modify it so that it suits the idea we have of it. Crossing aesthetics, I install dissonant and anachronistic relationships, seeking through yesterday's images to understand the meaning of those of today.
