The work unfolds as an exploration of liminality: the bridge, a structure that typically signifies passage and stability, is here destabilized and fragmented. Rather than anchoring the scene, it dissolves into painterly gestures that blur distinctions between land, water, and sky. The layering of color—ranging from cool aquas and teals to sun-warmed ochres and rust tones—creates a shifting atmosphere in which the materiality of paint takes precedence over representational certainty.
The gestural brushwork resists resolution, leaving forms in a state of becoming rather than completion. This ambiguity challenges the viewer to reconsider perception itself: is the bridge a memory, a dream, or an imagined architecture? By refusing to define its subject fully, the painting inhabits the space between abstraction and figuration, echoing the instability of contemporary landscapes where permanence is an illusion.
