In my work, the grooves, marks, and perforations are not decorative elements or random gestures—they are traces of a search.... Read More
In my work, the grooves, marks, and perforations are not decorative elements or random gestures—they are traces of a search. By intervening in the material, I aim to make visible the tensions between what disappears and what endures, as if each cut were a way of excavating the self. I’m driven by the need to understand how matter can contain memory, emotion, or experience, and how that resonates with our way of inhabiting the world.
I’m not interested in representing external reality, but in summoning what dwells in absence—what was, what could have been, what still pulses in silence within form. The grooves are traces of that exploration, open spaces on the surface that reveal internal layers, as if the material itself had something to say. Through this process, I don’t just transform the object—I also alter the perception of the surrounding space, which ceases to be a neutral backdrop and becomes an active presence, charged with time, memory, and possibility.
