George’s practice operates across zones of cultural difference; exploring and making connections between the complexities that exist between the ‘East’ and ‘West’, he has travelled extensively thought the “Middle East” over the past 18 years. His work draws connections between...
Read More
George’s practice operates across zones of cultural difference; exploring and making connections
between the complexities that exist between the ‘East’ and ‘West’, he has travelled extensively
thought the “Middle East” over the past 18 years. His work draws connections between Australian beach culture and the fractured, turbulent zones of the Middle East. George’s digital photographs and multi-media installations are images of the collisions of East and West, and are distinctive by their-tech, seamless moulding of positive historical continuum. His vivid condensation of artistically and scientific analogies contributes to the resolution of particularly difficult millennial double bind occupying theorists and artist nationally and internationally. George’s practice has focused on concepts of contrivance and the handmade. Through this we can retrace the artists specific trajectory throughout the discourse on art, photography and politics that ranges from the conceptual debates in art to the technological shifts from analogue to the digital. Georges practise and extensive travels gives form to his
contrapuntal perceptions within contemporary art.
