1.
A unique form of recycling, i.e., using dried plant parts and giving
them a second life (eternal?) as material for artistic creation. The
texture, shape, and color of a single plant or several placed next to
each other are so inspiring that they evoke associations that form
the basis of the idea, theme, and artistic convention of the
painting.
2.
Stimulating viewers' imaginations by mobilizing them to interpret new
content and associations in images constructed from familiar elements
and forms found in nature.
3.
By connecting viewers with a world that emanates the familiar beauty
of the human natural environment, it brings relief, peace, and
serenity to the heart.
4.
Creating an alternative to art using artificial intelligence.
5.
Therefore, my artistic technique involves the following steps:
a.
creating a plant collage by gluing dried plant parts to a flat
surface painted with white emulsion paint,
b.
scanning the plant collage and saving it as a high-resolution 600 DPI
JPG file,
c.
to achieve a uniformly white background, essential for the openwork
effect, which gives the images a light and airy feel while also
allowing for a clearer display of the plants' artistic qualities,
another, very labor-intensive, multi-day stage is necessary.
This
is a manual process, i.e. without any automation, "background
cleaning" using Photoshop with an accuracy of a few pixels and
saving it as a 600 DPI JPG file, in order to obtain a digital graphic
(called "florotype").
d.
in order to enhance the intensity of the recipients' impressions and
to more accurately show the colors, shapes and textures of plants -
the digital graphics are enlarged to large format sizes and
printed on canvas stretched on a frame or displayed on a large
screen.
Due
to the use of only natural plants with only natural colors - each
selection of works from my collection creates a uniform presentation.
The
goal of this piece was to achieve perfect harmony between all the
elements of the composition.
I
used a lot of dried plants, mostly gluing them one on top
of the other, to create the thicket of the forest surrounding the
larch hunting palace of the Radziwiłł Princes in Antonin and a
lonely deer attracted by its scent.
To
create this plant collage were used a variety of the most beautiful
dried leaf and flower parts I had. The deer's body is made from a
banana peel, and the palace is made from the leaves of the
Liriodendron Tulipifera.
