I make art because life is boring, existence is weird, and so is time.My work explores the unsettling—sometimes in a poetic way, sometimes in a way that just feels… off. It’s shaped by memories, passing moments, and all the things...
Read More
I make art because life is boring, existence is weird, and so is time.
My work explores the unsettling—sometimes in a poetic way, sometimes in a way that just feels… off. It’s shaped by memories, passing moments, and all the things we can’t quite explain. I’m drawn to themes like identity, transience, and emotional gravity—the kind that pulls you sideways when you least expect it.
As a kid, I made strange scribbles, hiding thoughts, feelings, and even full life events inside them. I didn’t know it then, but I was building a visual language. Much later, I learned it had a name: surrealism. I’ve been using it ever since. Over time, I blended that instinct with figurative forms, anatomy, and abstraction—especially through oil painting. Then life threw me into motion.
Living a nomadic life changed everything: my perspective, my materials, my pace. Without a studio or space for canvases, I shifted into digital painting. The tools changed, but the core didn’t. I still build surreal worlds anchored in emotion, form, and quiet philosophical chaos.
I’ve exhibited work in cities like Vancouver, Miami, Tbilisi, Byblos, Venice, Madrid, New York, Vienna, and Budapest—and what I’ve learned is that this search for meaning? It’s universal. My work is an invitation to pause, to reflect, and to feel a little strange in a good way… or a bad way. Depends on what kind of day you’re having.