ke yiwen

My practice is rooted in conceptual art, focusing on the relationship between language, the body, and institutional structures. I do not rely on material form as the primary mode of presentation, but rather work through text, intervention, and site-based operations to construct an open field of questions.

In my work, the "artwork" is not a finished expression but functions as an interruption—one that disturbs habits of viewing, symbolic systems, and everyday logic. I am interested in structures that operate beneath the surface of daily life, exploring how language participates in them and using minimal actions to introduce delay and uncertainty.