Work done for the II Biennial of sculpture in San Antonio de Ibarra, Ecuador. A place recognized for its woodwork, the piece in this context question the presence of the object confronting the traditional from its realization, the way in 3d, to its exhibition, the video (dematerialization), alter the accepted ideas about the aesthetic canons, today's vigil test. The formal refers to the video sculptures of Nam June Paik, and the work Felt TV II by Joseph Beuys and his approach to use the media as a vehicle of his concept of "social sculpture", in this case neutralized by the allusion to its opposite, the social noise that the so-called telebasura would produce.
