A continuous view of a border line, which delimits two-wing crossing territory at one of the central train stations in Paris, France. The repetitive actions of different individuals, walking through a study path, illustrate how the individual internalizes the rules of social behavior in the publicized space. However, the border line, which also marks symmetrically and delimits the boundaries of the static frame, creates at the same time a disruption in that order by forming a new image. The act of exiting and entering out of and into the transitional doors of the machine, embodies the philosophical and religious notion of rebirth. This is not only associated with the physical and spiritual variability of the human figure, precisely from the everyday, unnoticeable and daily situation, but also with the viewer’s logic and visual perception. In this sense, the work seeks to break the order in both the public sphere and the viewer perception.
