Based on personal experiences in the rust-belt industrial city, and studies of harbor history, artist composed a first-person narrative text of a stealthy ghost, telling a story from a distant broadcasting voice and a projection briefing with non-existent hands, in which the rise and fall of the once third world's biggest Port of Kaohsiung, dramatic life of Lien-Chih Lee, known as "Father of Kaohsiung Harbor", the fragility and absurdity of civilization under the threat of double typhoon invasion in July 1977, and the gray area of a debate on the city's "glory" were interwoven.
A fable/prophecy of a state apparatus destined to become a magnificent ruin is thus revealed.