Once again adopting the near-archeological method of making inscription frottages at various sites, the artist collected iconic samples which encapsulate the industrial/commercial activities and contemporary urban landscapes in Yunlin. This methodology of field work and research allows him to make these fragmentary rubbings into a complete collage of a major local temple and its surrounding blocks.
Through spatial deconstruction and reconstruction, a qualitative change takes place and drives the viewer to wonder: in Yunlin, Taiwan's most important agricultural capital, how is/are locals' so-called "belief/s" re-converged, constructed, and regarded in the daily life of locals who work on/with the land and depend heavily on it and the environment, especially in an era when industrialisation, commercialization, and urbanization lead to the homogenization of everything?
