Step by step, each work derives from the unfolding of more complex consecutive weaves, but saving their metaphoric meaning of the road, the organic path, creating singularities with a great unit in the drawing.
Then come the works in metal, considering the predominance of the line, with the introduction of a new formal element, the surfaces with their glow, in other words, the light and its bright issue, participating more as a constructive element, already implied in the starting of the series, but now with the proposition of the organic forms, in a new organization, added by geometric insinuations in parallel. The cubes, pierced by curve lines, show a proportion of dialogue between both the natures of shapes, a symbiosis, an interweaving between so different constitutions in a harmonic and musical construction. If in the first set of works we feel proximity of sounds in this group, we may notice already a new sonority, more harmonic, among noises, recalling to us the sound reality of the great cities.
Another deep research, beyond the materials, is in the question of color as a natural element, a dye and its wide possibility of chromatic variations and of shades, used in the different surfaces of the materials. In this aspect, the series gains a color as an element of language, due to the proximity of their contrasts, which are explored by Luciano with emphasis to the construction of the unit of the work, using the color also as an expressive protagonist.
