Metabiologies
Colour has always been the most important element in my work and research. Not just or not so much pigment colour, but colour-light, a vehicle of emotions. Colour as the primary element of vision and metamorphosis, colour that makes things visible that are not yet, colour as a generator of spaces, projects, and inner experiences. Perhaps because I am a woman, for me, art is a concave dimension, a disposition to listening. More than seeing colour, I feel it, perceive its harmonies, and venture into its luminous immateriality.
In my personal journey, which is both theoretical and practical, colour shares one of the most interesting qualities of metamorphosis, that of being a cartography in motion. Like the sky, through winds and clouds, it continually generates figures, so colour shapes space. It is sound, movement, reflection, the result of the contraction/dilation of light, a total synesthetic experience. It possesses the same qualities we attribute to architecture, and we can even go further to assert that colour, in its essence, is architecture itself in its most fluid dimension because it represents, more than anything else, our vibrant inner landscape.
