Evi Savvaidi, Totem (2019)concrete, marble dust, steel, 0.50 x 2.40m text by Dr. Kostas Prapoglouarchaeologist-architect, contemporary art critic and curator Marine animals and specifically... Read More
Evi Savvaidi, Totem (2019)
concrete, marble dust, steel, 0.50 x 2.40m
text by Dr. Kostas Prapoglou
archaeologist-architect, contemporary art critic and curator
Marine animals and specifically –on this occasion–
seashells, imperatively partake in the visual language of Evi Savvaidi. Totem
(2019) is a 2.40m high emblematic structure inspired by the shape and patterns
of seashells The artist chooses to incorporate them as vital components in her
sculpture giving the impression of a paradoxical fossilized formation that
could have easily been some mysterious object in a museum’s public display For
Savvaidi, the seashell is a metaphorical vessel that conveys aspects of the
life cycle and symbiosis. While she simultaneously poses questions on movement
and migration, she also considers the relationship between humans and the
natural environment. The entire structure built with cement and marble dust and
supported by a metallic pole rests in harmony within the proximate industrial
surroundings. It impregnates a commentary not just on the urban backdrop of our
location and its modification since ancient times but also on the endless
exploitation of nature throughout the centuries with a catastrophic effect on
its ecosystems led by fast-growing urban communities. Recalling Derrida's
concept of hauntology, Totem (2019) absorbs the replaced presence of being with
its void equal in tandem with the origins of history and identity. The
parabolical quality of Savvaidi’s sculpture becomes a tool for unveiling a
parallel reality. It nestles among the viewer and the encircling habitat and
acts as a pylon channeling a powerful interconnection and interdependence.