Thorn

This group of works, Thom, concretizes and sharpens the issue of belief, turning to a close-up of a group’s spiritual world: a group of childish faces, full of youthful spirit and cruelty, which form a strong contrast with the heavy weapons in their hands; The body mechanically transformed and spliced reveals the incompleteness and injury caused by the war; the youth symbolizes life and the future, and the beliefs are replaced by their vacant expressions, which is a metaphor that the human spiritual world will eventually fall into desolation in the future ...

 I tried to construct a completely different virtual space-time that transcends reality: the future is a world where technology replaces nature, and the form of industry integrated with human beings and creatures into a conceptual alienated life in a reconstructed way. These seem to be the products of human industrial civilization and have completely replaced the existence of human beings; nature has been completely redefined by metals, and the world has become a “man-made” world for non-human. There is only the cold breath of metal, and the virtual humanity free from human feelings, such as happiness, anger, sorrow, and joy... Dimension Zero constructs a futuristic “utopia”, which are all from the experience, simulation and imagination of the real world.