The work consisting of a sandstone stone, and its exact copy made using digital techniques. Synthesis of a research work that questions the relationship between art and new technologies, "Sasso d'artista" talks about copy/lovers, the relationship that is established between creator and created, between man and woman, between mind and nature, between analog and digital.
What will remain in a thousand, two thousand, a trillion years of the two bodies on display? Will the bare rock survive the plastic? Will the one r-exist without the other?
In a binary world, which aspires to the "reproduction" of a human conscience through digital artifice, of a man looking for his raison d'etre in the machine, Sasso d'Artista evokes a new beginning. Has the "map" therefore become his "territory"?