The series was created through the sequential transfer of images from the physical world to the digital and back.
The graphic image was drawn on the wall by hand, then scanned and passed through the glitch.
After that, the image was again transferred to the physical surface by etching with salt and copper sulfate. Thus, "flickering" on the edge of digital aesthetics and archaic artistic practices, I wanted to discover the thinnest surface separating the physical and digital worlds.