The instalation “Out of the Black - Experiment X" questions the identity in contemporary society in an abstract manner and communicates a language of a fragmented society: between chaos and order, absence and presence, migration and stability. All these are different perspectives through which I try to find approximate answers. Technically, I integrate a mechanism based on air and produce an apparently chaotic dynamics of the elements under display, inside a plexiglass capsule. This is a re-enactment of non-linear systems. The installation is 210 cm x 55 cm x 55 cm, made of plexiglass, metal, fan (industrial grade), control electronics and fur balls.
The abstract-minimalist discourse of this work is meant to experiment (just like in a scientific laboratory) the way in which a person - which is not considered in the first place as an individual (as a person) - situate or is situated him-/her-self in the world. It is due to the role, which is either active or passive, of the “Approximative Person” (Tristan Tzara) that s/he always generate the algorithm Chaos-Order. At a more general level, I aim to capture the tripartite relation mentioned above - art, science, and philosophy - and I try to suggest in my works for this project that the centre of the balance between chaos and order is provided by the observer. An observer who is connected to the world through a relation that cannot deny a privileged affinity toward one of the three disciplines. There is no fixed point, a privileged one, from which to observe the installations and to understand the message, because the assumed effect is to regain the place - or better said - of the places from which different potential observers will find when exploring their way of approaching the world as a whole.
