Sculpting with wood and metal becomes a metaphor for a dialogue between architecture and nature. An Oxymoron, an
ambiguous conflict or dance between organic and geometric forms, between ruins and prosperity.
Years ago I visited the Barbican in London, a brutalist architecture with a magnificent botanical garden inside which inspired a lot my
actual artistic research. It was fascinating watching the vegetation overtaking the architecture, the vines climbing over the walls to reach
the light, reclaiming their own space. A symbolic dialogue that often occurs even while walking along a paved road… when suddenly a
root or a flower emerges from the cemented city. The Project invites us to grasp the meaning that constitutes our passage in relation
to the environment, projecting our gaze into the future.