"No location available" is an installation that consists of six prints on Japanese restoration paper suspended, divided into two groups... Read More
"No location available" is an installation that consists of six prints
on Japanese restoration paper suspended, divided into two
groups of three where the viewer is placed in the centre. Each
print represents a different cross-section (at different heights) of
the same island. Half of the prints represent what is above sea
level, the other half represents what is below, which stops being
considered as territory to fall into an indeterminate underwater
oblivion. The lines are the result of a constant translation between different digital software because the procedure aims to distance oneself from the exhausting pursuit for knowledge but not from the means that produce it, using them as the main medium.
The viewer finds themselves physically included in the work, on the ideal borderline between these two worlds – emerged
and submerged – invited to feel part of this representation.
The choice of the red colour aims to strengthen this gap
between known and unknown, as red in water is the first colour
component to be absorbed, disappearing only 5 metres below
sea level.