The protein chain involved in the process of our breathing emits a sequence
frequencies that can be transposed into a musical note.
At least that is the theory of proteodies. This chain, recalculated so that it is not satisfied with the approximations of our temperate system, is
rewritten on precarious sticky tape. Symbolically, it is the writing of the end of the breath, of the last sigh, which comes to repair the objects found or entrusted.
The whole, organized according to the initial proteody, is a score for voice. An attempt at a symmetrical anthropology to remind us of all that exists in these objects which adhere "(...) in all their points to the social body. [...] they attach themselves to the social and [...] they manufacture it in part. (Bruno LATOUR) »