I take a part of cultures (Guadeloupe and Martinique) where the aesthetic values have been erased with great efficiency, in particular because of slavery, the smallness of my islands and their uninterrupted guardianships under France. It is a whole concept of feeling, seeing, hearing, tasting and touching that has been conditioned by sensitive knowledge devices specific to the master values of the colonizer. My art education, itself responds to these organizations of knowledge. This preliminary observation crosses the minds of many Franco-Caribbean artists with intensity. The 1992 Goncourt Prize winner, Patrick Chamoiseau, writes on this subject: “How to write while your imagination is drinking, from morning to dreams, to images, thoughts, values that are not yours? How to write when what you are vegetating apart from the impulses that determine your life? How to write, dominated? ”This work delves into these questions