Doomscrolling is the term used to describe the act of excessively engaging with digital platforms that rely on scrolling feeds, moving from post to post for hours on end.
Based on the idea of the infinite repetition of feeds, the repetitive processes of printmaking, and the proposal to work with a long print measuring 10 meters, I was reminded of Japanese ink washes on rice paper, in which landscapes gradually unfold, revealing a scene, a story.
With these ideas in mind, Doomscrolling emerged as a sculpture that brings about the unrolling of an image, but which is in fact only a repetition of a module, creating a wave-like, tentacular redundancy of the same pattern.