Material: photo printed on plexiglass wit dibond bottom, sculpture in metal painted
My project "(De)Compositions" tells my research that starts from photography of architecture to tell, with a
metaphor, two stories: a) the story of our ability to transform, for better or
for worse, the environment in which we live; b) the story of the personality
evolution of each of us, through decomposition and recomposition of our
emotions and life experiences.
My research began photographing landscapes of contemporary architecture. Using
particular shooting perspectives and compressing the depth of the place through
a strong zoom, I transform the landscapes of contemporary architecture in
abstract geometries, in which depth and three-dimensionality of the original
place often disappear altogether. But then, using the same geometrical shapes
that are in the architectural photo, I realize installations in plexiglass and
glass sculptures in which I recovery the three-dimensionality of original
location, but reintepreting it.
Then the path starts from the
three-dimensional architecture to arrive at the two-dimensionality of a
geometric abstract photography, and then returned again to three-dimensional
installations in plexiglass or glass sculptures formed by the geometric
elements that made up the photograph.
The result of this change is a different
place than the original, but made with his own bricks: another environment, or
a new and different person, but always of the same original material.
It is a conceptual circuit in which you can
probably gather reminiscences of artists like Malevich, Mondrian, El Lissitsky,
Rothko, Peter Halley, but also of psychiatrists as Freud, Jung and others.
This installation shows an image of a building in Valencia City of Science, decomposed in pieces used to realize sculpture with painted metal.
