Complex is manually carved from Ytong (kind of lightweight porous concrete) and looks like a transparent lace and at the same time like a last building left after a carpet bombing – a combination that expresses my views on the melting pot that is Israeli society. Technique and material both have emotional and conceptual overtones: while Ytong brings industrial vibe to the table, the meticulous carving negates the ready-made practice by stressing the craftsmanship invested in the art object.