ITA:Nel corso della storia l’essere umano ha sempre cercato di elevarsi e differenziarsi rispetto alle altre creature, ma quali sono... Read More
Nel corso della storia l’essere umano ha sempre cercato di elevarsi e differenziarsi rispetto alle altre creature, ma quali sono davvero i suoi elementi distintivi? Con le nostre sculture in ferro vogliamo trasmettere l’importanza e la maestosità di quelle specie, estranee ai più, magari viste rinchiuse in zoo, parchi a tema o in qualche documentario naturalistico, dove vengono percepite come aliene, immisurabili, portandoci poco a poco verso uno stato di a-fantasia generale. Quasi ripescando dalle nostre più antiche culture animiste e dal teriomorfismo, il sacro nell'animale, le nostre sculture parlano di vita, di fossili, di solennità e di riappacificazione tra l’essere e l'umano, cercando una riflessione inversa, citando Y.N.Harari, piuttosto che da "Animali a Dei" da "Dei a Animali".
Ferro piegato, rete metallica scolpita e ramoscelli di olivo pugliese, carattere ancestrale sempre presente nelle nostre opere, danno vita alle opere animali.
La trasparenza delle sculture quasi si stiano dissolvendo, estinguendo, le posizioni anomale a suggerire stati d'animo o risposte a domande del tempo, la lucentezza e le curve scolpite che prendono vita se illuminate da spot luminosi, vogliono far fermare e contemplare, con stupore, i tempi che viviamo.
In history, human beings have always tried to elevate and differentiate themselves from other creatures, but what are their real distinctive elements? With our iron sculptures, we want to show and manifest the importance and grandeur of those species, unknown to most, perhaps seen only in zoos, themed parks or in some natural documentaries, where they are perceived as aliens, bringing us to a state of general fantasy. Almost reviving the sacred of the animal from our most ancient animist cultures and theriomorphism, our sculptures speak of life, fossils, solemnity and reconciliation between the act of being and humans. Citing Y.N.Harai, from "gods to animals" rather than from "animals to gods".
Bend iron, sculpted metallic net and Apulian olive branches, ancestral characteristic always present in our work, give life to the animal pieces.
The transparency of the sculptures as if they are dissolving, disappearing, their abnormal positions that suggest specific feelings or answers to questions of time, the sparkle and the sculpted curves that take life if illuminated by bright lights, they want to make you stop and contemplate the experiences we live with wonder.
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