VANITAS

Inspired by  Dutch Vanitas still-life paintings, featuring objects symbolic of the inevitability of death and earthly transience. Transposing  this idea to landscapes. photographs have a filmic quality and focus on sites, which are on the edge of rural areas and often seem as if they been ‘invaded’ by industrial plants. Artificial light from industrial plants glow in the twilight and animal remains are lit as in a painting. Shot in twilight further emphasises these images stand between 2 worlds.