Models from my close circle of friends, black and white portraits – without location, space nor time references – surrounded by transparent pictures, make up for a timeless visual poetry. In this intimate circle, as Schiele could have defined it, ghost pictures dance around bodies forming an eerie ballet. Gold plating and material juxtaposition which characterize Klimt’s work, purposefully trouble the picturial rendition and provide for a visual punctuation between the century, like an obvious…