This work is part of a photographic series that explores a renewal and distortion of amalgamated mythological and spiritual iconography of deities rooted from varied pan-Asian and European histories and cultures. The methodology of the work involves digitally sculpting works that is then printed, primed, lit then photographed and further digitally manipulated for photographic printing. The work experiments with digital and mathematical abstractions of recursive figurative and organic forms, resulting in an intricate concoction of an altar-like display featuring fragmented chimeras of faceless humanoid deities seated upon a throne consisting of implosions of fractal contorted forms recollecting antiquated cultural imagery and artifacts that becomes reconfigured and re-imagined