As a resident of a contradictory and polysemic city like Bogota, I’m interested in urban structures. Based on my relationship with cities, I thought of a photographic reconstruction of New York’s urban landscape, not from its acclaimed iconic buildings, but from the ignored, turned into another irrelevant part of the landscape, an ensemble of mere lines.
Photography carries out the role of giving these structures another connotation, making them an important part of what constitutes a society, from history, the forms of construction, to their aesthetic impact. Even without being outstanding before, they are transformed while being observed with thoroughness and captured as images.