'In the house of Martha and Mary’ depicts how we consumers, worship imported food like an irradicable religion while being... Read More
'In the house of Martha and Mary’ depicts how we consumers, worship imported food like an irradicable religion while being surrounded by an abundance of local and regional produce. This interpretation is staged and inspired by still life painting ‘Christ in the house of Martha and Mary’ notably painted by several Dutch old masters including Pieter Aertsen, Joachim Beuckelaar etc. The account behind the paintings is from a chapter from St Luke’s Gospel (Luke 10: 38-42) about one of his missionary visits to the house of Martha and Mary. The younger sister Mary is completely overwhelmed by the presence of Christ, his wisdom and words. Hence she chose not to help her sister, Martha, to prepare a lavish meal in the kitchen for Christ and his disciples.
Sitten on the right of this reinterpreted artwork, ‘Martha’ contemplates a rich spread of local and seasonal produce widely grown, cultivated and available in the Netherlands and its region. While on the left, ‘Mary’ starstruck and seemingly smiling at an imported pineapple on her hands. The pun of the biblical story and staged image is the comparison of how consumers have devout themselves with the bountiful availability of imported food, very much similar to the belief and loyalty of a religious faith. However, our indulgence in imported exotic food creates numerous social and environmental problems. By bringing this food to our plate, it brought about issues concerning conflicts at growers’ countries, drug cartel, deforestation, high carbon footprint etc.
Art Direction & Concept: Phyllis Wong, Photography: Erikjan Koopmans, Editing: Erikjan Koopmans & Phyllis Wong, MUAH: Eveline Carpier, Assistants: Bart de Groot, Pim Louf, Model: Noa & Meggie van Ijsseldijk, Products: Foekje Fleur, Minale-Maeda, Lex Pott, Julie Thissen, Juliette Warmenhoven, Woodchuck, Flowers: Niche Flowershop & Een Bloemetje op Tafel