Durational Performance: 90minutes for 6days, each was performed for 15minutes on the hour
6:00 pm - 6:15 pm / 7:00 pm - 7:15 pm / 8:00 pm - 8:15 pm / 9:00 pm - 9:15 pm / 10:00 pm - 10:15 pm / 11:00 pm - 11:15 pm
* Live Performances, [The Body and Ex-istence in a Cave of Perception] and [Out of the Frame] are a series created by thoughts and testimony of my feelings after I have experienced Pandemic while staying for several months in Spain.
When I cannot control the external forces I find out space and time that I can completely control myself. What it takes to have the perfect moment is between 3 am to 5 am. Perfect time in silence. It is the only time that all living creatures fall asleep. There is silence. There is a space between the silence and me. Occupying space is a concrete shape that makes me fall into illusions. That is the reason why I get into space and time that I cannot recognize objects and hear the sound. However, even in darkness and silence, I constantly look for something that exists. And then, lock it in my perception. I have wandered to seek for something fixed and existing, thus feeling safe. However, the object does not exist as I think it is but only exists in my perception. It is not the object that makes our prejudices, but how we perceive it.
The place I thought was the perfect moment exists only in my perception. This place, which has escaped external threats, becomes a space to confine me into my perception. No change can be found here, surrounded by darkness and silence. The place I meet after following the light is the place that I try to escape from my perception. On the outside, I act with the system. It creates another space of perception. That is why I stay here for a very short time. All beings only pass by very briefly in the vague flow of time with no beginning and no end. It applies to all living creatures that repeat life and death. We are experiencing it every day. So, I forget the passing time and try to escape from the cave of perception created by myself and by society.
