In 8.DOGS.10 Papetti digs in to the interaction with processed
(manufactured) material in combination with elementary materials (like water and
hair). It is a textual clash in between different histories of physicality,
earthly bound, inescapable mysteries of the bodies, almost becoming
the products of the “machinery planet” that then intimately encounter
those textures that result out of the intertwined history of human
industry, the everlasting plastic, that cannot escape its immortality,
maybe even envying the decaying hair or sea weed.
Transformation meets solidity in an encounter that speaks about
proximity and relativity, intimacy and distant observation.
The sound as a both sensual and sensitive environment, the words as a
meta-layer that wants to intertwine with the tactile world and become a
sensation itself, time as a sculptor vibrating manifested elements until
they become elongated echos, remembering scenarios, subconscious
events, almost childhood traumas haunting through the space.