The point of departure in my central body of work is drawing that is somewhere between the line and the... Read More
The point of departure in my central
body of work is drawing that is somewhere between the line and the stain, in
varying sizes ranging from the intimate to large-scale installations. My work
is a meditative action as the lines and stains are
done all at once simultaneously. That is way I am so influenced by the strokes
of the brush in the Japanese traditional painting. It
is a one-time, instant thing that is done in "one take".
