Prior to the
completion of my paintings, they always abide in a condition of voidness, a
spontaneous stroke of the brush that flows organically throughout the process
of expression. Should the disarrayed verses be analogous to half-completed
poems, a seamless stream of consciousness in an instant, then this sensation
denotes the achievement of enlightenment following a succession of negations.
In essence, upon the cessation of consciousness, the painting assumes the role
of a spiritual totem, embodying the inner self—akin to a sorcerer's brushstroke
traversing the earth, leading us towards the sacred sanctuary of artistic
existence.
