In my artwork titled "The Three Musketeers," I aim to shed light on the disturbing reality that 3 out of 5 Nigerian children are living on the streets, hungry and begging for alms. My country has failed these children, and both the government and citizens have turned a blind eye to their suffering. If I had to point fingers, I would have to start with myself. I regret not doing more to help and acknowledge that my actions in the past have contributed to this ongoing tragedy. While I cannot change the past, I can strive to make a positive difference in the future. To all those who have been affected by this issue, I offer my sincere apologies.
From painting with charcoal to blending with palm oil, both require brush strokes because of the canvas texture, which simulates the painting experience for me. This elegance is comprehended through the appeal of both visual and aromatic senses, due to the sublime and striking bronze-like hue of the figures, as well as the innocuous aura of the organic substance.
Palm oil’s versatility in our traditional African meal, and its tremendous export record, makes it the appropriate medium to showcase African veracity through Body Language series.
My use of palm oil to depict African anatomical figures, aims to tell tales of the raw and harsh reality of stigmatization to individuals living with body scars, body shaming, and body deformities caused by poverty, accidents, and genetics. As I have been inspired by my own scars, awakening a realization that ‘scars are tattoos’, beget the desire to capture my audience's empathy towards those who fall short of society’s standard of a beautiful body anatomy.
This figure painting is created on stretched canvas, using paint brush to apply the shades and tones of charcoal due to the surface texture of the canvas. I use erasers to lift off excess charcoal, and smudge the surface using a clothing piece. Lastly, blending with palm oil using a brush gives off a soothing fragrance of a traditional African meal.
