The artist revisits "White on White", one of the pivotal works of Kazimir Malevich's Suprematism, and adapts it to our times. The work appears to be an exact copy of Malevich's 1918 work, but if you take a closer look at it, or if you look at it from a different perspective, you will be able to see an "M" inside it, which does not stand for Malevich's M, but for McDonald’s M. The art for the art’s sake, the art for the sake of making it fades away. The supremacy of art dies in favour of the inevitable supremacy of the logo.
