Skins

For a few years my artistic practice was fully dedicated to drawing. They were dissolving compositions, very light and controlled. In time, they became more alive and loose. I have a feeling these drawings slowly emerged into the physical world and the evolution towards sculpture happened in a similar natural way.

I started looking through the drawing and seeing the material itself. Such as making cuts on the papers and experimenting with whatever I had in the studio. It is both an intuitive and a rational ongoing process. It happens as if the language has a life of its own and within time I am able to decode it, use its tools and really engage with it.