Nell'opera Senza titolo 9-21 numerose stratificazioni di colore si offrono a una scalpellatura, che realizza variabili sottrazioni di materia: la... Read More
Nell'opera Senza titolo 9-21 numerose
stratificazioni di colore si offrono a una scalpellatura, che realizza
variabili sottrazioni di materia: la luce, invadendo così nuovi spazi, rivela
ulteriori immagini, caratterizzate da intense policromie. Le forme che emergono
non sono dipinte nel senso classico, sono invece il risultato dei pieni e dei
vuoti creati della scalpellatura. L’opera si caratterizza allora per una
profondità reale, potremmo dire per una terza dimensione della pittura.
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