The incessant mutability of reflections creates a magical upside-down world. In this research, I would like to emphasize and remind the essential role they play, offering us a warped and distorted view of our surroundings, changing each subject. The reflection is a distorted mirror of a complicated and detailed present, but that actually freezes the moment and simplifies the projected image.
Every line is shaped into a liquid and synthesized projection, a deconstructed and distorted image that manages to highlight the essential.
The reflections invite us to pause and observe. Their constant variation leaves room for the imagination to reinvent the static forms of everyday life, allowing us to look with a different point of view giving greater importance to what often seems obvious.
What interested and intrigued me is how reflections are closely related to the functioning of our eyes: the light that enters the eye, is turned upside down and is the brain that then turn the image in the proper direction. So it is like the reflection is an original vision of our seeing, before the brain takes action.While making these paintings, I tried to look and interact with them even by turning them upside down, and it was surprising to see how they can also be read in reverse.