Retro interior in 70s. Stephanie Bing shows in colourful pop-art freshness a deserted, neatly constructed perspective space that resets interpersonal... Read More
Retro interior in 70s. Stephanie Bing shows in colourful pop-art freshness a deserted, neatly constructed perspective space that resets interpersonal communication to the non-digital age. The endless knot in foreground stands pars pro toto as an EXIT from the online continuous loop and our self-chosen optimisation dynamics.
The isolation of the objects painted by Stephanie Bing shows the lack of real bonds.
Away from content, it’s a friendly, fresh painted little interior Picture that immediately appeals to the viewer and fits into any modern and postmodern ambience.
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