I create the horizon with layers of paint. I also refer put
the collors in "rigid" architectural forms. So the space opens up,
but I want to close it at the same time, so I distort it.
The first element is the monochrome color palette, which I
process only with the color scale, it is a kind of "background".
The next element is in chromatically brighter colors. I only
allow half the contrast in it. I tame the scene in a way that I even here use
only tonal scales.
The golden element, depending on the angle of illumination,
the colors rise from the background or push them in background. This also
constantly changes the picture.
I want the perspective to be "rigid", in so called
"Japanese perspective".
The effect of such technical image processing is, that the spaces
in front are like the windows against the background and vice versa.
Ascetic futuristic housings, due to the spectrum of colors
and gold used, look like they are in twilight. The light of the livingspace
scenes reveals the silhouettes of the inhabitants, dealing with hanging laundry
- dealing with banalities, although the scene shows that some space
constraints, or perhaps contaminated soround, perhaps some other threat, led to
an unusual coloration of the planet and an unusual way of living.
