Richard Georg Strauss once said, "What is inspiration? I was inspired to express it without reason." This statement has inspired me to ponder how objects in this three-dimensional world can integrate with the spiritual realm in a more inspired manner.
Imagine the prelude: a girl hidden deep within the clouds, gently strumming an ancient zither, as a melody with undulating rhythms flows like a spring. As the music transitions, we pass through a bamboo forest to a lotus pond. The pond's water is composed of a collection of books, and upon it, a high-heeled shoe sails gracefully alone.
Looking up, in the main melody, carp dance to the rhythm of pearls, while a peacock displays the splendor and nobility of the music's climax. At this moment, the music lightens into a lively interlude, where a girl swings on a turtle shell, surrounded by stairs that seem to grow and extend, guiding us through a series of story fragments linked by film reels.
As the piece approaches its finale, it presents itself with a strong sense of power, like a robust and valiant tiger, adding texture and depth to the composition with its explosive force and substantial presence. In the end, a sandglass symbolizing the passage of time slowly pours, creating a splendid rainbow that seems to flow back to the red clouds of the prelude. The end of the story is precisely the beginning of another, forming an eternal cycle of music.
